Ten Ten Theatre Company – “The Jeweller’s Shop”
Ten Ten theatre company and “Kolbe’s Gift”
Confessions of a Butterfly by Jonathan Salt
Rise – “Soldier to Saint”
Rise Theatre Company
Actors in Living Without Fear
90%of all babies with Down’s Syndrome are victims of eugenic abortions
A Baby With Down’s Syndrome
“Some people think I shouldn’t be here, but I am. I’m a human being, and I’m in love.” – words of an actor in “Living With Fear”
A theatre company, consisting primarily, but not exclusively, of actors with learning disabilities, recently came to Westminster to perform their play “Living without Fear”
– and in one short hour achieved more in raising awareness about disability hate crime than any number of speeches delivered in Parliament.
Drama has an extraordinary capacity to move, to touch, and to reach people and this production by Blue Apple Theatre
made me reflect on both the issue which the company explored and on the way in which they succeeded in catching my attention.
Jane Jessop is the founding director of Blue Apple Theatre.
She says that the British Crime Survey found that each year a truly shocking 65,000 assaults take place against people with disabilities and that “this is probably an underestimate”
. Some one million people with learning disabilities live in Britain and Mencap
say that up to 90% of people with learning disabilities are bullied and harassed on a regular basis
Determined to raise awareness among policy makers she believes drama is an effective way to do it. So, she persuaded Steve Brine, her local MP in Winchester, to sponsor a performance of the play and, by kind permission of Mr.Speaker Bercow, this was performed in Mr.Speaker’s House. Among those who had travelled up to see the play was Hampshire’s Chief Constable, Andy Marsh. Esther McVeigh, the Minister with responsibility for disabled people was also present.
“Living Without Fear”
shines a light on the vulnerability of people who are initially thrilled by the idea of independent living but who then have to come to terms with prejudice and negotiate the visceral hatred of the people with whom they have to live alongside. It’s simply impossible to be left unaffected by the play or by a cast which comprises some of those who have experienced such hatred first hand.
I was particularly struck by the young actor with Down’s Syndrome who says “Some people think I shouldn’t be here, but I am. I’m a human being, and I’m in love.”
He’s right of course: eugenic abortions now prevent most people with Down’s Syndrome from being here. 90% of babies with Down’s Syndrome have their lives ended in the womb. The violence, discrimination, and prejudice against people with learning difficulties or disability begins at conception. How sad that this young man’s love is met with society’s rejection.
Jane Jessop says that her first hope in bringing “Living Without Fear”
to Westminster “was to bring our talented actors to the heart of Parliament so that people legislating on abortion and other issues would meet whole and rounded people with learning disabilities, especially those with Down’s Syndrome and see their talent and potential.
“I hope you could see there is no limit to our ambition in helping them realise their potential. Next was to raise the difficult issues around disability hate crime.”
web site shows the breadth and the range of work in which this inclusive theatre company is involved and which deserves to be seen by audiences up and down the country:
and this link features extracts from the play and lets the actors speak for themselves: http://bit.ly/YLcgFg
Recently I have seen some other brilliant examples of drama being used to explore contemporary themes. At the Easter Celebrate
conference in Ilfracombe there were performances by two Catholic theatre groups – Ten Ten
produced some thought-provoking sketches and are now preparing to take their play “Soldier to Saint”
on a UK tour from June 28th to July 12th.
Set in 2020, in an England which is persecuting Christians, it’s the story of a soldier, John Alban. Like his Roman namesake, his friendship with a fugitive priest endangers his freedom and his very life. On a daily basis, in many parts of the world, from China to Nigeria, contemporary Albans are deprived of their liberty or their lives and this is a timely reminder not to take for granted the freedoms we enjoy in Britain: (http://www.risetheatre.co.uk/
Drama allows the exploration of countless rich and disturbing questions.
to stage a powerful production of “Heart
”, a drama which takes on inter-generational relationships and the role a grandmother plays in challenging her grand-daughter’s bullying of another girl.
Later in the year Ten Ten
, are back at London’s Leicester Square Theatre where they previously performed “The Jeweller”,
an adaptation of John Paul II’s play, “The Jeweller’s Shop
” – which examines relationships, friendships, and love, in the context of three couples whose lives become intermingled. The comedian, Frank Skinner, described “The Jeweller”
as “deeply funny, gut-wrenchingly sad and thought provoking.”
Between October 1st and 5th Ten Ten turn their attention to another Pole, St.Maximilian Kolbe, whom John Paul called “the patron saint of our difficult century.”
This brand new production of “Kolbe’s Gift
” – an inspirational play by David Gooderson – takes us to Auschwitz, where the imprisoned Kolbe encounters a soldier, Franek Gajowniczec, and freely gives his own life to save the other (http:www.tententheatre.co.uk
Like “Confessions of a Butterfly
”, the one man play about the life of Janusz Korczak, written and performed by the Catholic writer, Jonathan Salt, and which I saw at a synagogue in London a few months ago, “Kolbe’s Gift”
reminds us of the savagery of the Holocaust; the indifference, the silence, or collaboration of so many; and the danger of “never again”
happening all over again in our own times.
Salt introduces us to Korcczak’s heroism but also to children like the boy with the violin – who chooses to become selectively mute after watching the execution of his parents. A profoundly moving and poignant story, it’s not one which I will quickly or easily forget.https://www.davidalton.net/2012/11/02/confessions-of-a-butterfly-the-remarkable-story-of-janusz-korczak/
Each of these dramas explores a different question and tells a different story but they all raise profoundly important issues in a world which can too easily become indifferent and where we need to find a range of different ways to effect change.
And it’s not just drama: art and graphics, writing, poetry and music all have their part to play. The Catholic musicians, Ooberfuse, have just marked North Korea Freedom week with a brilliant song, Vanish the Night, released on Youtube and features the North Korean escapee and human rights campaigner, Shin Dong Hyok: http://www.youtube.com/watch?v=be7WTX_z_E8&feature=share
An earlier song, about the assassination of Pakistan’s Catholic Minister for Minorities, Shahbaz Bhatti, His Blood Cries Out, has now been watched by over 137,000 people http://www.youtube.com/watch?v=ABOIQfhyh1g
In every generation we must guard against prejudice and bigotry, racism and xenophobia and cherish our precious freedoms and liberties. In particular, minorities, ranging from people with learning disabilities to vulnerable ethnic groups or dissenting religious believers, need to have their stories told. And, this is a world in which anti-Semitism, racial intolerance, and the scapegoating of minorities – such as homosexuals living in those Commonwealth countries which still impose the death penalty for homosexuality – or Christians facing death in countries like North Korea or Iran – or institutionalised discrimination in the form of caste based prejudice against Dalits in India – are all distempers of our age.
Perhaps music and drama will succeed in waking us up to these horrific realities when speeches and commentaries do not – and maybe challenge us to change our attitudes and our laws.